wandrlust:

Werner Herzog and Wim Wenders in Room 666 (1982) and Tokyo-Ga (1985)

y Wim Wenders on-set of Soul of a Man (2003)

Wim Wenders on-set of Soul of a Man (2003)

y Wim Wenders on-set of Wings of Desire (1987)

Wim Wenders on-set of Wings of Desire (1987)

y Tim Roth and Wim Wenders on-set of Don’t Come Knocking (2005)

Tim Roth and Wim Wenders on-set of Don’t Come Knocking (2005)

y Michelle Williams, Wim Wenders and John Diehl on-set of Land of Plenty (2004)

Michelle Williams, Wim Wenders and John Diehl on-set of Land of Plenty (2004)

y pickledelephant:

Wim Wenders (August 14, 1945)

Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed.

pickledelephant:

Wim Wenders (August 14, 1945)

Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed.

y criterioncollection:

Harry Dean Stanton, Wim Wenders, and Dean Stockwell during the production of PARIS, TEXAS. 

criterioncollection:

Harry Dean Stanton, Wim Wenders, and Dean Stockwell during the production of PARIS, TEXAS

pickledelephant:

Wim Wenders while filming Wings of Desire (1987)

pickledelephant:

Wim Wenders while filming Paris, Texas (1984)

y behindtheillusions:

Director Wim Wenders on the set of Until the End of the World (1991).

behindtheillusions:

Director Wim Wenders on the set of Until the End of the World (1991).