y behindtheillusions:

Director Wim Wenders on the set of Until the End of the World (1991).

behindtheillusions:

Director Wim Wenders on the set of Until the End of the World (1991).

y Wim Wenders and Michelangelo Antonioni while filming Beyond the Clouds (1995)

Wim Wenders and Michelangelo Antonioni while filming Beyond the Clouds (1995)

y pickledelephant:

Wim Wenders on the set of Wings of Desire (1987)

pickledelephant:

Wim Wenders on the set of Wings of Desire (1987)

Wim Wenders photographed by Denis Rouvre

Wim Wenders photographed by Denis Rouvre

y Sam Shepard and Wim Wenders photographed by Mark Abrahams

Sam Shepard and Wim Wenders photographed by Mark Abrahams

strangewood:

“It wasn’t until Alice in the Cities that I actually acknowledged myself as a film director. Until then I had always identified myself as a writer. I remember the moment exactly. When shooting the film in New York, we registered at a hotel on Eighty-first Street, and I wrote down my profession as ‘Film director.’ It seemed preposterous, but ever since that’s what I am.”
Wim Wenders (born August 14, 1945)

strangewood:

“It wasn’t until Alice in the Cities that I actually acknowledged myself as a film director. Until then I had always identified myself as a writer. I remember the moment exactly. When shooting the film in New York, we registered at a hotel on Eighty-first Street, and I wrote down my profession as ‘Film director.’ It seemed preposterous, but ever since that’s what I am.”

Wim Wenders (born August 14, 1945)

y Wim Wenders photographed by Mark Abrahams

Wim Wenders photographed by Mark Abrahams

Wim Wenders with Nastassja Kinski and Hunter Carson on the set of Paris, Texas (1984). 

Wim Wenders with Nastassja Kinski and Hunter Carson on the set of Paris, Texas (1984). 

y cinephiliacs:

So I am getting a little bored with defining one type of film as American and the other European or from somewhere else because the division is no longer true.
- Wim Wenders

cinephiliacs:

So I am getting a little bored with defining one type of film as American and the other European or from somewhere else because the division is no longer true.

- Wim Wenders