y Apichatpong Weerasethakul on the set of Syndromes and a Century (2006)

Apichatpong Weerasethakul on the set of Syndromes and a Century (2006)

igelahnlich:

Apichatpong Weerasethakul for Apartamento Magazine #11

y 
Apichatpong Weerasethakul visiting Machu Picchu after serving on the jury of the 2013 Lima Independiente film festival.

Apichatpong Weerasethakul visiting Machu Picchu after serving on the jury of the 2013 Lima Independiente film festival.

thosevanishedyears:


“I, as a filmmaker, treat my works as I do my own sons or daugthers. I don’t care if people are fond of them or despise them, as long as I created them with my best intentions and efforts. If these offspring of mine cannot live in their own country for whatever reason, let them be free. There is no reason to mutilate them in fear of the system. Otherwise there is no reason for one to continue making art.”
- Apichatpong Weerasethakul (x)

thosevanishedyears:

“I, as a filmmaker, treat my works as I do my own sons or daugthers. I don’t care if people are fond of them or despise them, as long as I created them with my best intentions and efforts. If these offspring of mine cannot live in their own country for whatever reason, let them be free. There is no reason to mutilate them in fear of the system. Otherwise there is no reason for one to continue making art.”

- Apichatpong Weerasethakul (x)

Directors of 2011:

Andrew Haigh, Weekend

Abbas Kiarostami, Certified Copy

Terrence Malick, The Tree of Life

Nicolas Wending Refn, Drive

Apichatpong Weerasethakul, Uncle Boonmee Who Can Recall His Past Lives